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Mark Crutchfield's avatar

There’s a lovely restraint to this Susan, and the way the woodland isn’t just a setting but a state you move through and come back from altered.

I really felt that moment where love blurs into darkness, not as drama, but as disorientation. The spell doesn’t break with noise or revelation, just with a quiet instruction: fly high, go south. That turn toward winter, toward writing slowly and praising what looks bare, feels gently earned.

Thank you for sharing something so attentive and quietly wise.

David W Runyan II's avatar

A lovely ode to the romantic beauty and danger of the forest

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